Cinc | Milos Tomic | Burda-cut | Family treasure | Book and apple | Bread | Trash | Plasticine ---(Srpski)
Milos Tomic
Family treasure
and these parental collections,
that - shall I say - perverse trait of theirs,
meaning, the thing they love so much or do,
makes them closer to us, you understand,
at almost everything else, they are
normal, good, nervous, self-sacrificing parents,
which can be boring
but here, where the specific is expressed,
well, you understand, I'm sure that you do.
The outward, visible changes were happening very slowly ('It has to be faster'
said the eternally dissatisfied D. Danilkov); other, less visible changes
were happening on regular basis. It is interesting that they accompanied the
occurrence of new events and ideas, that would, as soon as they happened outside,
end up in the museum (in case they deserved it). Actually, the swiftness with
which the exhibits were changed, followed the changes in life cycles, and
the museum was describing the life itself, the 'live life' of its owner and
its curators.
Danijel Kovac, The Logic of River, Railway and Junkyard (chapter "Museum")
(Milos Tomic exhibited these objects in July 2004 on "Collections and Acumulations" exhibition in SKC, Belgrade, as a part of The Yugoslav Biennial of Young Artists 2004. Author of the whole exhibition was Vladimir Tupanjac, and other participants were: Aleksandar Zograf, Ivana Klickovic, Kosmoplovci, Mileta Prodanovic, Sasa Markovic Mikrob and Skart group )